It was spoken so gravely that Joan did not ask her, as in lighter mood she might have done, what it was that Phillips had said. She raised her face quietly, and the child bent forward and kissed her, and went out without looking back at either of them, leaving Joan more serious than there seemed any reason for. Phillips filled his pipe and lighted it. It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her.!

“So this is our new recruit,” she said. “She is come to bring healing to the sad, sick world—to right all the old, old wrongs.” The child shook her head. “She doesn’t understand,” she said. “And Papa won’t tell her. He says it would only hurt her and do no good.” The small hands were clenched. “I shall hate her if she spoils his life.”

She examined Joan awhile in silence. “Are you on the stage?” she asked. “So did Archimedes disappear,” he answered with a smile. “The nameless Roman soldier remained. That was hardly the survival of the fittest.” “You mean she was killing herself?” he asked.